K. Ibura
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K. Ibura is a writer, painter, and traveler from New Orleans, Louisiana. The middle child of five, she grew up in a hardscrabble neighborhood with oak and fig trees, locusts and mosquitoes, cousins and neighbors. K. Ibura's work delves into spheres of human liberation, human connection, and evolution. She employs speculative fiction and creative nonfiction to take readers through mind-bending journeys into the transcendent, the mystical, and the fantastic.
editing
BlogKIS.listcraft of writing // critiques // editing // emotional connection to art // K. Ibura // KIS.list // rejection // writing adv // writing struggles // writing tips
Vol. 31, Seeking and Receiving Critiques
Posted on 1 March 2003
In writing an essay for an upcoming anthology, I was recently stumped. The topic seemed unwieldy and I couldn’t get the tone and feel of the piece. The content in the first draft was too personal. The content in the second, too dogmatic. I put both the first draft and the second draft to the… »
BlogKIS.listediting // editors and writers // K. Ibura // KIS.list // rejection/acceptance o'meter // the writing life // writing advice // writing struggles
Vol. 26, Editing: Going Within
Posted on 23 July 2002
Brooklyn, NY I am fascinated with the editing process. That should not come as a surprise as I am an editor and a copy editor as well as a writer. I look at the first draft of a story or an essay as a mass of raw material, a block of marble to be carved…. »
BlogKIS.listarticle // catcalling // editing // editorial process // editors // K. Ibura // KIS.list // magazine writing // polished writing // rape culture // revising // revision // rough drafts // sexual harrassment // traumatic // writing life // writing struggles
Vol. 8, Editors and Writers
Posted on 8 October 2001
Phone Call from an Editor Brooklyn to Manhattan, NY A friend of mine asked me to write a short bit of catalogue copy on catcalling. His organization is doing an exhibition attempting to stimulate the experience of walking down the street and having men yell at you. Men will have the opportunity to walk through… »